Explore >> Select a destination
|
You are here 
|
www.rightsofwriters.com | ||
| | | | |
itsartlaw.org
|
|
| | | | | By Atreya Mathur Credit: DALL·E 2; text prompts (left to right): painting of a robot holding justice scales; painting of a robot-artist painting flowers; painting of a robot reading a law book What does it take to be an artist in the 21st century? Can one create art with paint brushes, watercolors, or oil pastels? Or can one simply think art into | |
| | | | |
law.justia.com
|
|
| | | | | Yang v. Mic Network Inc., No. 1:2018cv07628 - Document 26 (S.D.N.Y. 2019) case opinion from the Southern District of New York US Federal District Court | |
| | | | |
www.noorjahanrahman.com
|
|
| | | | | Recently I teamed up with a colleague at Willkie, Farr & Gallagher to write a paper for GenLaw, a workshop on the intersection of AI and law, hosted by the International Conference on Machine Learning (ICML). You can read our essay on the GenLaw website, or below: 1. Introduction A question that has been top of mind for many proprietors of large language models (LLMs) is whether training the models on copyrighted text qualifies as fair use. The fair use doctrine allows limited use of copyrigh | |
| | | | |
www.certipedia.com
|
|
| | | Certification Information about FACELIFT brand building technologies GmbH | ||
