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| | vanishingtrooper.wordpress.com
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| | Welcome to the second part of this write up of Japanese animator Masami Obari (????), if by chance you've landed here first, why not check out Part 1 for the introduction instead. In this post I'll try and talk more about the kind of things that have influenced Masami Obari and the kind of style...
| | mediartinnovation.com
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| | It was Sergei Eisenstein, in a series of essays written in the early 1940s (later published as Eisenstein on Disney, and as SergeiEisenstein: Disney - edited by Oksana Bulgakowa and Dietmar Hochmuth, Potemkin Press 2013), who described Disney's films (and by extension all animated cartoons) as having the quality of plasmaticness:"The rejection of the constraint...
| | wavemotioncannon.com
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| | The following article was originally printed inissue 003 of Animestyle. Scans and images courtesy of The Canipa Effect. The interview has been translated by Twitter user @NohAcro © 2016 Wave Motion Cannon Consider supporting us on Patreon where you can pick the next translation! This article is broken into three parts Part 1 | Part...
| | www.generation-online.org
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| The drift of Humpty Dumpty on generation-online.org