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| | animetudes.com
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| | Among all the artists influenced by Yoshinori Kanada, Ichirô Itano is probably one of the most important. And yet, he is never considered a Kanada-style animator, most likely because their styles look very different. One of the most important mechanical and effects animators of the 1980s, Itano revolutionized how SF anime would look, and his...
| | animetudes.com
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| | As I mentioned in the previous article about Graviton, the OVA boom was very much carried by small structures and the overlapping nets of connections made by their members. It appears that the two most important places where all these people met and first exchanged their ideas were Urusei Yatsura, starting in 1981, and Macross,...
| | animetudes.com
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| | I've mentioned that the sudden wave of Kanada-style animators in the first half of the 80s is as much due to Kanada as to one of his most notable students, Masahito Yamashita. To show this, I will focus not on Yamashita himself, but on one of the most important animators of the period, who largely...
| | ehoba.hatenablog.com
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| Introduction In the previous post, I examined the history of magical girl fiction from the '60s to the '70s. I explained that Toei Animation prepared the essential elements of the genre. After the end of Maho Shojo Lalabel, however, the Toei Majokko brand went on a hiatus. In this part, I would like...