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eev.ee | ||
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www.yodaiken.com
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| | | | | [AI summary] The text presents a complex and multifaceted discussion on intellectual property, particularly focusing on copyright and patents in the context of digital media and creative works. It critiques the notion that digital technology has rendered traditional IP laws obsolete, arguing instead that the legal framework remains essential for protecting creators. The author contrasts the historical use of IP laws with modern challenges, such as free software advocates and the impact of digital distribution on artists' earnings. The piece also touches on the moral and economic implications of IP, emphasizing the importance of compensation for creators while acknowledging the role of public domain and open licenses. The tone is reflective and analytical, we... | |
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blog.giovanh.com
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| | | | | what copyright originally-was-and-still-should-be, and the monster that replaced it | |
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notageni.us
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| | | | | NOTE: I'm not a lawyer. This simply explains intellectual property in plain English. This is not legal advice. NOTE 2: Intellectual property has been abused by lawyers to the point that the domain is very corrupt. Consult a lawyer if you want anything even remotely precise-enough to act on. Intellectual properties (IP) are legal ownership [...]Read More... from Intellectual Property Summarized | |
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pamhutch.wordpress.com
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| | | For the art magazine Apollo, I wrote about MGM scenic artist George Gibson, the Scottish painter who ran MGM's scenic design department, which created the backdrops for such films as The Wizard of Oz and An American in Paris. | ||
