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35hunter.blog | ||
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www.chrisritchie.org
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| | | | | [AI summary] The discussion revolves around the merits of prime versus zoom lenses in photography. The author argues that while zoom lenses offer convenience for certain scenarios, prime lenses excel in areas like sharpness, depth of field, autofocus speed, and vibration reduction. The debate touches on practical considerations such as weight, portability, and the importance of timing in capturing decisive moments. The author emphasizes that prime lenses, though requiring more planning, can lead to more creative and technically superior images, especially in controlled environments like studios. The conclusion is that both lens types have their place, but prime lenses are often preferable for their performance and the creative challenges they present. | |
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fupduckphoto.wordpress.com
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| | | | | Why on earth would I put a large and heavy lens from a medium format camera onto an SLR, to get the equivalent of a standard lens but with a small aperture? Because I can tilt. Tilt and shift lenses are the smaller format solution to the clever things that large format bellows-type cameras can... | |
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darkerview.com
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| | | | | One of the advantages of a mirrorless camera, like the EOS-M, is the very shallow backfocus requirement. The distance from the lens mount to the sensor is quite small, allowing use of just about an... | |
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emulsive.org
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| | | The F2 was Nikon's mechanical, manual flagship camera of the 1970s. Rugged and reliable construction along with a complete system of lenses, backs, viewfinders and other accessories made it the professional's choice. | ||
