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klim.co.nz | ||
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idsgn.org
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| | | | | [AI summary] The article discusses the design history of the New York City subway system, focusing on the misconception that Helvetica is its signage typeface. Paul Shaw, a graphic designer and historian, explores the actual history, revealing that Standard Medium was originally used. The piece highlights the evolution of subway signage, the preservation of historic elements, and the impact of modernization on the system's visual identity. It also touches on Shaw's work, including his book and contributions to design history. | |
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blog.29lt.com
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| | | | | The 29LT Azahar type family includes Text and Display categories, each with five weights in both Latin and Cyrillic, and a Neo-Naskh/Neo-Thuluth hybrid Arabic style. The versatile variable font format allows extensive weight and optical size control, making it suitable for various design needs. The typeface reflects a blend of diverse cultures and a 29LT's... | |
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fontreviewjournal.com
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| | | | | [AI summary] Eames Century Modern is a vibrant, expressive typeface inspired by mid-century design, blending Clarendon and Scotch styles. It features bold, graphic elements like ball terminals, winding tails, and a playful, energetic personality. The font is well-suited for branding, packaging, and editorial design, especially when paired with mid-century colors and retro aesthetics. Its Stencil variation adds a fragmented, graphic quality, ideal for creative and promotional uses. While it's not ideal for body text, it thrives in larger sizes and can be used effectively in monochrome designs. The font's charm lies in its ability to evoke a sense of fun and nostalgia, making it a favorite among designers seeking a vintage-inspired yet modern typeface. | |
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apnews.com
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| | | WASHINGTON (AP) - The police were badly outnumbered. Only a few dozen guarded the West front of the U.S. | ||
