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\|	\|	ymcinema.com Pre-Oscar Lenses Chart: ARRI, Cooke, Angenieux and a lot of Panavision - Y.M.Cinema Magazine	13.3 parsecs away Travel
\|	\|	The tradition goes on. After the Pre-Oscar Camera Chart, now is the time to explore the glass. So we have created a simplified chart of the lenses used to shoot 2019's top films. The results were unequivocal and showed that Panavision rules with ARRI breathing down its neck. The Cooke Look is in 3rd place. What with the others? Let's find out. References The data was collected from IndieWire's article: "Oscar Cinematography Survey: Here Are the Cameras and Lenses Used to Shoot 42 Awards Contenders". Furt...	13.3 parsecs away Travel
\|	\|	www.knuterikevensen.com Choosing a cine-camera and lenses for a cinema DCP film	6.5 parsecs away Travel
\|	\|	Cinemas have two standard settings for aspect ratio: Flat 1.85 and Scope 2.39	6.5 parsecs away Travel
\|	\|	nbailey.ca Converting and developing RAW photos on Linux automatically	9.0 parsecs away Travel
\|	\|	Kubernetes is our generation's Asbestos.	9.0 parsecs away Travel
\|	\|	www.livescience.com Canon EOS R5 review \| Live Science	38.2 parsecs away Travel
\|		The Canon EOS R5 is so good at photographing wildlife, it's effectively a cheat code for capturing images of animals - not to mention humans or any other subject.	38.2 parsecs away Travel