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| | shuttermoon.blog
4.1 parsecs away

Travel
| | https://flic.kr/p/2p1cY6a The famous London Eye shot on 35mm film on a bright sunny day. Bonus: Airplane flying by While shooting on a digital camera, a lot of computation and handling is done by the device itself. Although, I would read about the basics but when the camera is handling so much work, you tend to...
| | fupduckphoto.wordpress.com
4.3 parsecs away

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| | Why on earth would I put a large and heavy lens from a medium format camera onto an SLR, to get the equivalent of a standard lens but with a small aperture? Because I can tilt. Tilt and shift lenses are the smaller format solution to the clever things that large format bellows-type cameras can...
| | fujixweekly.com
1.7 parsecs away

Travel
| | Fujinon 18mm f/2 lens attached to a Fujifilm X-T30 camera. I've done several of these "Why I Love The Fujinon..." articles-including the 90mm f/2, the 35mm f/2, the 27mm f/2.8-but I've been putting this one off. If you'd read my review of the Fujinon 18mm f/2, you might already know that I have a love/hate...
| | 35hunter.blog
21.0 parsecs away

Travel
| My gradual shift from shooting film to digital was motivated by a number of factors, but a significant one was the size and weight of cameras. The digital compacts I favour these days give me results that are more than good enough, with the bonus of being very small andlight. I can walk for two...