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www.harvardmagazine.com | ||
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www.bauhaus-imaginista.org
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| | | | | Les Intégrations: Faraoui and Mazières. 1966-1982 // From the Time of Art to the Time of Life // Article // Oct. 18 2018 // Les Intégrations exemplified a specific conceptual motif, one that acted not within a single field but rather implied a relationship of interdependence between different media (visual arts and architecture) and techniques (those of graphic arts and architecture). They thus allowed for the emergence of disciplines that were not static in formation but evolving in relation to one another. The intermedial relationship they created between art and architecture raises the question of what lies "between" these disciplines: how do they communicate with each other? What are the elements of language common to this "spirit of the times," to the p... | |
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harvardartmuseums.org
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| | | | | Pablo Picasso's painting Guernica was commissioned by the Spanish government for the 1937 Paris World's Fair. It was exhibited in Josep Lluís Sert's Spanish Pavilion, alongside Joan Miró's The Reaper and other works. Completed in early summer 1937, the massive 11 × 25 foot painting addresses the devastating Fascist-era aerial bombing of the Basque town of Guernica on April 26, 1937. More broadly, the painting confronts the horrors of war. The current installation, which complements the Harvard course Wor... | |
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www.playforthoughts.com
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| | | | | Art Nouveau is a unique artistic style characterized by extraordinary freedom of form. Art Nouveau aimed to synthesize art and craftsmanship, combining aesthetics with functionality, making it an eclectic style that transcends the traditional boundaries of fine arts. The fundamental characteristic of Art Nouveau is the asymmetrically undulating line, with a dynamic and energetic ending. | |
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learn.proedu.com
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