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patdavid.net | ||
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pixls.us
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| | | | | This is an article I had written long ago (originally published in 2013). The material is still quite relevant and the workflow hasn't really changed, so I am republishing it here for posterity and those that may have missed it the first time around. The previous post for this article went over the shoot that led to this image. Picking Your Image RAW Processing Adjust Exposure Exposure Compensation Black Point White Balance Noise Reduction In Summary GIMP Retouching Touchup Hair Fixing the...... | |
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isthisit.nz
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| | | | | Belgrave Forest I get my film developed at a local film lab and scan the negatives myself at home. The scanning setup is simple. I suspend the film negative flat over a lightbox, mount my sony digital camera to a copy stand so that it's facing down, and shoot the negative using a macro lens. I get much better results than the local film labs can give me - more fine detail in the image, more megapixels which allows me to crop, and a RAW file output that allows me to adjust relative exposures. | |
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valhead.com
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| | | | | [AI summary] The author shares their experience of reviving their father's Minolta camera and rediscovering film photography, highlighting the benefits of slowing down, the constraints of film, and the anticipation of processing results. | |
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www.fogdog-photography.com
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| | | [AI summary] The author reviews the Canon A-1 camera, discussing its design, historical significance, and mixed experience using it for photography, ultimately remaining undecided on its value. | ||
