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gizmodo.com | ||
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www.dazeddigital.com
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| | | | | It's alive! Costume designer Kate Hawley and prosthetic artist Mike Hill discuss making Guillermo del Toro's adaptation of the gothic horror and how they turned the main star into a monster | |
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www.portlandmercury.com
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| | | | | When the credits roll at the end of Guillermo del Toro's Pinocchio, some of the first names you'll see after the film's co-directors-del Toro and Mark Gustafson-are those of the many craftspeople who brought it to life. This is for good reason, though their contributions often go overlooked. Everything seen in front of the camera is because of the attention and hard work of animators, fabricators, sculptors, armaturists, and so many more artists. We spoke... | |
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coffee-for-two.com
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| | | | | There's no doubt that Guillermo del Toro's sympathies lie with the monsters. In that respect, The Shape of Water is no revelation. Instead it is - marvelously, beautifully - an expression of del Toro's worldview so perfectly, precisely rendered that the film feels like a closing argument in a life's artistic debate. Set in 1962,... | |
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www.worldofreel.com
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| | | Guillermo del Toro's "Frankenstein" is now available to stream on Netflix, and with that, I want to read your thoughts on this one. Is it the Oscar-worthy film some of the "experts" claim it to be? | ||
