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www.vanityfair.com | ||
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www.artandobject.com
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| | | | | Much as the late nineteenth-century American myth of Manifest Destiny was used to justify westward expansion, many history paintings worked to shape and uphold stories of superiority and inferiority. This popular genre of painting, especially when applied to the depiction of historical events, sheds light on the manner in which art can be used to manipulate the truth. | |
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www.newyorker.com
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| | | | | Ian Crouch rounds up the best culture stories of the week, from the Met Gala to Stephen Colbert"s angry words to the return of "Veep." | |
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artblart.com
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| | | | | Exhibition dates: 25th August - 20th November 2011 Filippo Lippi(Italian, 1406-1469) Portrait of a Man and a Woman at a Casement c. 1440 New York, Metropolitan Museum of Art © Metropolitan Museum of Art, New York The Legend of the Surface, the Facies "Facies simultaneously signifies the singular air of... | |
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flixchatter.net
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| | | Hey, look who's back! Not that I've missed the Golden Globes when NBC decided not to air last year's event following the LA Times exposé that reported about the Hollywood Foreign Press Association's sheer lack of diversity (there were no Black journalist members) and unethical business practices. Major studios threatened to boycott unless they made... | ||
