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musingsofamiddleagedgeek.blog
| | aurorasginjoint.com
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| | Heroes have been at the center of fiction since the beginning of storytelling. The hero's journey as defined by mythologist Joseph Campbell, is universal and lends itself to tales in every culture. Naturally, cinema has not been immune from those heroic tales always with a male conquering the beast. While we have been treated to...
| | www.samwoolfe.com
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| | Part of the appeal of horror films - which is underappreciated, I think - is their capacity to evoke the sublime. This is a curious and complex emotion. It's a mixture of fear and fascination. It involves feeling simultaneously nervous or threatened by some perceptual phenomenon - because of its vastness or power - and...
| | openlettersreview.com
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| | At their king's behest, four grizzled blind men approach an unidentified object. He warns them that it has lain forgotten in an unforgiving place, and is a putrid, clammy thing. They nod, not daring to remind the king which sense they lack. Standing almost nine feet tall, the object forces each man to claim his own portion. The first man, at the object's rear, says, "It has a knobby trunk, out of which smooth, hollow tubes run. It must be a sculpture." Caressing its top, the second man partially agrees. "A sculpture yes, but not an object. It is a soldier, wearing a large helmet, pocked and ridged with the scars of battle." The third man, who's been kneeling, waves a finger. "But it is long and jagged, like the skeleton of some legendary beast." The king smiles. The fourth man does not. He has the misfortune of standing directly in front of the thing. Before he can speak, it wraps a pair of six-fingered claws around his head. The other men hear hissing before hot blood splashes them.
| | www.dvdinfatuation.com
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| A blog in which I watch and write about 2,500 movies on DVD and Blu-Ray, posting one film review a day