|
You are here |
www.herzbergdesign.com | ||
| | | | |
blog.29lt.com
|
|
| | | | | The 29LT Azahar type family includes Text and Display categories, each with five weights in both Latin and Cyrillic, and a Neo-Naskh/Neo-Thuluth hybrid Arabic style. The versatile variable font format allows extensive weight and optical size control, making it suitable for various design needs. The typeface reflects a blend of diverse cultures and a 29LT's... | |
| | | | |
www.hellbox.co.uk
|
|
| | | | | Typographic glyphs have their moments. The @ symbol was barely used before it became indispensable for email and social media. The creation of the single European currency saw thousands of fonts being reissued to include at the turn of the century. It's likely that some crypto-boosters are hoping this will happen again, and the... | |
| | | | |
theleagueofmoveabletype.com
|
|
| | | | | An open-source, free-to-use, free-to-learn-from typeface designed by Barry Schwartz, open-sourced & published by The League in 2009. | |
| | | | |
sospedra.me
|
|
| | | This story begins in 1984. Involves the major R&D companies in Silicon Valley. Machinery. Tech revolutions. And finally, the web. It's the story of the web fonts. Why are so many? And why it's so difficult to get a standard? | ||