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www.tuttartpitturasculturapoesiamusica.com | ||
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www.artandobject.com
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| | | | | Much as the late nineteenth-century American myth of Manifest Destiny was used to justify westward expansion, many history paintings worked to shape and uphold stories of superiority and inferiority. This popular genre of painting, especially when applied to the depiction of historical events, sheds light on the manner in which art can be used to manipulate the truth. | |
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www.themanchesterreview.co.uk
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| | | | | Althea McNish The images in issue are taken from the Whitworth's major retrospective of Althea McNish (1924-2020), which is currently on tour from William Morris Gallery, Walthamstow. McNish was the first Caribebean designer to achieve international recognition and one of the most influential and innovative textile designers in the UK. Drawing on extensive and continuing [...] | |
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www.womenshistory.org
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| | | | | Julia Ward Howe was a writer, lecturer, abolitionist and suffragist. | |
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extinctionrebellion.uk
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| | | Guest author: Rebecca Lester Rebecca came to speak at The Big One about her experience being a member of the citizens' assembly for the People's Plan for Nature. It was an initiative from the Royal Society for the Protection of Birds (RSPB), the National Trust, and the WWF. The citizens' assembly informed this comprehensive plan [...] | ||
