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www.popmatters.com | ||
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theimaginativeconservative.org
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| | | | | The atonal music produced in the twentieth century consists largely of random outbursts that could be described as groans wrapped in mathematics. The result makes little or no sense to the ear, and these works remain more items of curiosity than objects of love, and audiences have begun to turn their backs on them... (essay by Sir Roger Scruton) | |
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www.nytimes.com
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| | | | | From his initial success at the Paramount in Times Square through his generation-spanning duets, his career was remarkable for both its longevity and its consistency. | |
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www.josephhorowitz.com
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| | | | | [AI summary] The text presents a comprehensive exploration of various musical and cultural topics, including the legacy of composers like Dvorak and Copland, the role of Black artists in classical music, and the intersection of art with social justice. It touches on historical figures such as W.E.B. Du Bois, the significance of the Star-Spangled Banner, and the contributions of artists like Lou Harrison and Kurt Weill. The discussion also covers contemporary issues such as cultural appropriation, the role of radio in art, and the importance of rethinking the concert experience to include more diverse narratives. The text is rich with references to historical events, artistic movements, and the ongoing dialogue about race and identity in American culture. | |
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mabelkwong.com
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| | | This month* marks seven years since I started this blog. This year marks a turning point in my life where I've thought about quitting blogging and even writing altogether. It seems my relationship with blogging has hit the seven year itch. Over time I've blogged less and less. When I started blogging, I blogged weekly.... | ||
