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www.catholicworldreport.com
| | www.clarendonhousebooks.com
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| | Quite apart from the use of a commonplace wardrobe as a portal to a different world, and the introduction of a 're-booted' God figure join the form of Aslan, Lewis used other symbology in The Lion, the Witch and the Wardrobe. Most notably the Hundred Years' Winter was a kind of allegory of the Ironic culture in which Lewis found himself - a culture which was in the process of rejecting Life and the entire idea of Christmas. Aslan brings with him the thawing of the snow and ice and the new life
| | theimaginativeconservative.org
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| | Can acts of seemingly pure self-sacrificial love be morally reckless? F. Marion Crawford's dexterous handling of such questions in "The Heart of Rome" marks the novel as deserving a place in the canon of great twentieth-century literature. (essay by Joseph Pearce)
| | essentialcslewis.com
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| | The following is the text of the talk given by William O'Flaherty on "Not Quite Lewis: Questionable Lewisian Quotations) at the 2015 CSLIS Conference in late March, 2015. If you want to...
| | antilogicalism.com
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| Feuerbach's seminal work, The Essence of Christianity, marks a turning point in the critique of religion. In this book, he posits that theology is, at its core, anthropology. Religion, according to Feuerbach, is a projection of human nature and desires onto an imagined divine being. God, he argues, is nothing more than the idealized abstraction...