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www.sarahmcculloch.com | ||
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theplaysthethinguk.com
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| | | | | Most Shakespeare I see is performed with the actors' genders matching that of the characters they play. Sometimes I see token cross-gender or gender-blind casting within an own-gender cast, sometimes all-male productions and less often, all-female productions (I wrote about the scarcity of all-female Shakespeare companies in the UK for The Shakespeare Standard last month).... | |
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viewfromthecheapseat.com
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| | | | | There's a trailer for an American version of Re-Animator The Musical that features a large cast, impressive songs and a heavy dose of blood and gore that makes it look like it's a delight, at least if you're fond of musical parodies of daft comedy horror films. As it goes they're one of my favourite... | |
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theblogoftheatrethings.com
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| | | | | The appeal of pantomime is a difficult thing to explain to those who haven't grown up with it. The same few stories, featuring the same jokes, often performed by the same people, year after year - and yet, against all odds, the beloved festive tradition endures, pulling in audiences of all ages across the UK... | |
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www.rileysoloner.com
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| | | I've been observing a subtle change. I feel a kinship with artists who have been working at their thing long enough to get closely insightful and passionate about a very specific aspect of what they do. And instead of using that as a platform to champion themselves, "me me me," they focus their energy on preserving and sharing this little flame. Keeping it burning in the hopes of passing it onto the next one to care for the tradition, the craft, the connective power. | ||
