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www.stormingtheivorytower.com | ||
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aestheticsforbirds.com
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| | | | | The artworld is not a place of equality. But if we input bias, we can only get biased outputs. | |
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www.artnome.com
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| | | | | [AI summary] The article explores the history and philosophy of generative art, from early pioneers in the 1960s to modern practitioners who use algorithms and AI to create digital artworks, arguing that the collaboration between human intent and machine randomness defines the genre. | |
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tylerxhobbs.com
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| | | | | [AI summary] The provided text is a detailed transcript of a Q&A session with Tyler Hobbs, a generative artist, discussing his creative process, use of algorithms, and the intersection of art and technology. It includes insights into his workflow, the role of randomness, and the philosophical underpinnings of his generative art practice. | |
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historyforatheists.com
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| | | If there is a story that forms the heart of New Atheist bad history, it's the tale of the Great Library of Alexandria and its destruction by a Christian mob. It's the central moral fable of the Draper-White Thesis, where wise and rational Greeks and Romans store up all the wisdom of the pre-Christian ancient world in a single library, treasuring science and reason and bringing western civilisation to the brink of a technological and industrial revolution. But then a... Read More Read More | ||
