|
You are here |
www.stormingtheivorytower.com | ||
| | | | |
murid.neocities.org
|
|
| | | | | [AI summary] The text is a collection of reflections and observations on the nature of art, creativity, and the online art community. It explores themes such as the evolution of art styles, the role of play in art, the pressures of constant productivity in online culture, the importance of rest, and the historical context of early internet art communities. The author also touches on the idea that art should not be overly serious or burdened by expectations, and that it can be a form of play and self-expression rather than a means to an end. | |
| | | | |
www.atlassociety.org
|
|
| | | | | For a long time critics of modern and postmodern art have relied on the "Isn't that disgusting" strategy. By that I mean the strategy of ... | |
| | | | |
soundstudiesblog.com
|
|
| | | | | Distance, therefore, preserves a European austerity in recorded musical practices, and electroacoustic practice is no exception; it is perhaps even responsible for reinvigorating a colonial posterity in contemporary music as so many examples in this book follow this pattern--Danielle Shlomit Sofer, Sex Sounds, 14. Sex Sounds: Vectors of Difference in Electronic Music (MIT Press, 2022)... | |
| | | | |
www.peoplespolicyproject.org
|
|
| | | What America and the world can learn from the Faroe Islands. | ||