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www.joshfeitpoetry.com | ||
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www.boundary2.org
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| | | | | This article was published as part ofthe b2o review's"Finance and Fiction" dossier. The Anxiety of Inflation (On Ben Lerner's The Lights) Peter Makhlouf "Then he was aware of moving at an impossibly smooth rate, and there was the Brooklyn Bridge, cablework sparkling, Liza was cursing at the little touch-screen television in the taxi, which she... | |
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londongrip.co.uk
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www.alexmurrell.co.uk
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| | | | | In the early 1990s, two Russian artists named Vitaly Komar and Alexander Melamid hired a market research firm to survey the public on what they wanted in a work of art. Across 11 countries they then set about painting a piece that reflected the results. Each piece was intended to be a unique a collaboration with the people of a different country and culture. But it didn't quite go to plan. Every picture looked the same. 30 years after the "People's Choice" series, it seems the landscapes which Komar and Melamid painted have become the landscapes in which we live. From film to fashion and architecture to advertising, creative fields have become dominated and defined by convention and cliché. Distinctiveness has died. In every field we look at, we find that everything looks the same. Welcome to the age of average. Let's dive in. | |
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www.fullmoonreviews.net
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| | | In my first review in two months, I sat down and discussed the 1990 cult Frank Henenlotter classic, FRANKENHOOKER . Listen to Matthew Poirie... | ||
