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discardstudies.com | ||
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soundstudiesblog.com
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| | | | | "Genres, styles form around places of cohesion, of transport, of passage. Not an instrumental mathematics (though it can be that too), but a speculative one that seeks out locations of collective affect, of resonance between micro and macro spheres."--Marcus Boon,"One Nation Under a Groove" Yes. Punk, is a way of living, being, thinking, and... | |
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newcritique.co.uk
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| | | | | "Despite its confrontational and cathartic aesthetics, Moor Mother's music does not hold any immediate revolutionary promise. It rather makes us hear the impasse we're in while also struggling not to be of it" | |
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henryjenkins.org
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| | | | | Pop Junctions is pleased to be able to provide a preview extract and discount for Henry Jenkins' new book, Where the Wild Things Were: Boyhood and Permissive Parenting in Post-War America, published by NYU Press. Where the Wild Things Were centers on the exploding, contentious national conversation about the nature of childhood and parenting in the postwar US emblematized by Dr. Spock's Baby and Child Care. Renowned scholar Henry Jenkins demonstrates that the language that shaped a growing field of advice literature for parents also informed the period's fictions-in film, television, comics, children's books, and elsewhere-produced for and consumed by children. In particular, Jenkins demonstrates, the era's emblematic child was the boy in the striped shirt: ... | |
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eastgermancinema.com
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| | | The Man Who Replaced Grandma (Der Mann, der nach der Oma kam) belongs to the comedy of errors genre-specifically the sub-genre that finds comedy in the mistaken belief that someone is being unfaithful.1 Some classic Hollywood films have mined this vein for comedy, most notably Preston Sturges in his hilarious 1948 film, Unfaithfully Yours, as... | ||
